![]() ![]() This opening mini-massacre is motivated by no other apparent goal than to prove to us, the audience he addresses directly in a series of menacingly cheery songs, that Buster isn’t kidding around when he holds up a “Wanted” poster with his face on it and brags about being a sharpshooting virtuoso pursued by the law-and that century-old Western conventions won’t save anyone in these stories. Secondly, despite what his hat color (also white) signals to students of the genre, Buster Scruggs is no hero-as is established in that opening scene when he stops at a desert watering hole, has a few friendly words with the barkeep, and proceeds to wreak bloody havoc on the saloon’s scraggly clientele. First of all, Buster appears only in the first of this movie’s six separate sections, which are framed as a collection of published short stories by a recurring device in which a hand turns the pages of an old-fashioned illustrated book. Now We Have the Finest Example Yet.įlounder Is Not a Flounder, and Other Things You Notice Watching The Little Mermaid if You’re a Fish Personīuster Scruggs (Tim Blake Nelson), the clean-cut, white-clad singing cowboy who ambles into view atop a white horse at the beginning of the Coen brothers’ new Western anthology film, The Ballad of Buster Scruggs, may be the movie’s title character, but he’s hardly its protagonist. The Story Behind the Flamin’ Hot Cheetos Movie Is a Bunch of Baloney What It’s Like to Play the “Other Guy” in the Year’s Best Love Story
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